Ph Credit: Wilson M. Ballarin
... an immanent or incipient significance in the living body [which] extends, to the whole sensible world” and which had shown me how”our gaze, prompted by the experience of our own body, will discover in all other objects’ the miracle of expression.
Maurice Merleau-Ponty, Phenomenology of Perception
This series consists of used objects that are maden with my traces from everyday such as a garlic peel, a bath razor, a lock of hair, and the handle of a toothbrush. These traces are my material experience that effects /creates my perception to myself and the world around me. To combine the object with amorphous forms looks for imaginary experience therefore it seeks imaginary perception and sensitive self. The work on the thin line between trying to reach a new kind of sensitivity that aims to integrate the non-human into the self, and at the same time creating an imaginary archeology.
